![[CSCN] Roman Numeral Chord BB Code Support](/community/data/resource_icons/8/8435.jpg?1624683506){kind=icon}
Unmaintained [CSCN] Roman Numeral Chord BB Code Support 1.0.3
- Author ShikiSuen
- Creation date
Typing Shimaoka Harmoniology Roman Numerals requires remembering the following table:
Specimen of Yuzuri Font (as of font version v1.007):
(you can copy this to an XF forum which has this addon installed to see the actual results.)
| 入力文字 Input Character | 対応和声記号 Corresponded chord symbol |
|---|---|
| O | 何れの音階・和声 // Wildcard symbol indicating current chord degree |
| ZXCVBNM | 音階とその音を示す記号 // Indicating Scales and Tones |
| Q | I |
| W | II |
| E | III |
| R | IV |
| T | V |
| Y | VI |
| U | VII (実に稀です。島岡系芸大和声では減和声と導７和声はすべて属和音の根音省略形と呼ばれる。// Extremely rarely used. All diminished chords are described as rootless dominants in Shimaoka Harmoniology.) |
| F | 付加4 // Add 4th |
| S | 付加6 // Add 6th |
| f | 第5音の下変（ローマ数字の直後に置くこと） // ♭5 (typed right after the Roman Numeral) |
| s | 第5音の上変（ローマ数字の直後に置くこと）// ♯5 for Dominants, ♯6 for subdominants |
| m | 同主短調から借用した準固有和音 // The diatonic chord of the same degree borrowed from omnitonic minor. |
| + | 長和音と強調する記号 // Enforce a major chord. |
| - | 短和音と強調する記号 // Enforce a minor chord. |
| r | 根音省略形あるいは第５音省略形（ローマ数字の直前に入力すること） // Rootless Dominant or 5thless Subdominant (typed right before the Roman Numeral) |
| p | ナポリのII度 // Neopolitan II |
| 1 2 3 4 ` | 第？転回形 // Which inversion |
| 7 9 ~ | ７和音と９和音（転回形の直前に入力すること）// 7th or 9th chords (typed right before the inversion number) |
| @ | 副次調指定記号 // Tonicization target indicator |
| / | 保続低音指定記号 // Sustained bass note indicator |
| () [] {} | 括弧 // Brackets |
Specimen of Yuzuri Font (as of font version v1.007):
(you can copy this to an XF forum which has this addon installed to see the actual results.)
| Symbol | Definition (short) | Token |
|---|---|---|
| [RMJP]Q W T[/RMJP] | Tonic; Two; Five (Dominant) | Q W T |
| [RMJP]Q1 W1 T1[/RMJP] | Tonic (1st inversion); Two (1st inv); Dominant (2nd inv) | Q1 W1 T1 |
| [RMJP]T7 T9[/RMJP] | Dominant 7th; Dom 9th | T7 T9 |
| [RMJP]T71 T93[/RMJP] | Dom 7th 1st inv; Dom 9th 3rd inv | T71 T93 |
| [RMJP]rT7 rT9[/RMJP] | rootless Dom 7th, rootless Dom 9th | rT7 rT9 |
| [RMJP]rT71 rT93[/RMJP] | rl Dom 7th 1st inv; rl Dom 9th 3rd inv | rT71 rT93 |
| [RMJP]RS RF[/RMJP] | Four add 6th; Four add 4th | RS RF |
| [RMJP]rRS rRF[/RMJP] | Four add 6th omit 5th; Four add 4th omit 5th | rRS rRF |
| [RMJP]mR mrT91[/RMJP] | quasi forth; quasi rl Dom 9th first inv (A quasi chord is the chord of the same degree but borrowed from the omnitonic minor key. ) | mR mrT91 |
| [RMJP]T@W T71@T[/RMJP] | Dom tonicizing to II; Dom 7th (1st inv) tonicizing to V | T@W T71@T |
| [RMJP]rT91@mR[/RMJP] | rl Dom 9th (1st inv) tonicizing to quasi-IV | rT91@mR |
| [RMJP]mrT91@R[/RMJP] | rl quasi-Dom9th (1st-inv) tonicizing to IV | mrT91@R |
| [RMJP]mrT93@mR[/RMJP] | rl quasi-Dom9th (3rd-inv) tonicizing to quasi-IV | mrT93@mR |
| [RMJP]rTf92@T[/RMJP] | rl V9 (2nd inv) ♭5, tonicizing to V | rTf92@T |
| [RMJP]mrTf91@T[/RMJP] | rl quasi-Dom9th (1st inv) ♭5, tonicizing to V | mrTf91@T |
| [RMJP]mrTs91[/RMJP] | rl Dom 9 (1st inv) ♯5 | mrTs91 |
| [RMJP]RsS[/RMJP] | Four add ♯6th | RsS |
| [RMJP]+R7[/RMJP] | Four as a forced Dominant 7 (Dorian IV) | +R7 |
| [RMJP]pW1[/RMJP] | Neapolitan II (flat-II as a forced Major 3rd Triad, 1st inv.) | pW1 |
| [RMJP]+Q[/RMJP] | Picardi Tonic (Tonic as a forced Major 3rd Triad) | +Q |
| [RMJP]T7/Q (mrT9@T)/T[/RMJP] | V7 on a sustained I; "The rootless quasi Dominant 9 tonicizing to a V" on a sustained V | T7/Q (mrT9@T)/T |